Creativity I Admire

 



“Тhe world’s most beautiful and collectible graphic design journal”
https://graphicmama.com/blog/global-design-magazines/

Installation view of “Letha Wilson: Fields of Vision,” GRIMM, London, 2023. Photo: Rob Harris, Courtesy the artist and GRIMM Amsterdam | London | New York

https://sculpturemagazine.art/it-doesnt-end-with-the-image-a-conversation-with-letha-wilson/


Keiyona C. Stumpf
https://www.ceramicsnow.org/artists/keiyona-c-stumpf/


Barkev 
https://www.printmag.com/design-news/merch-motel-altadena-fundraiser/


 

Comments

Post a Comment

Popular posts from this blog

Dinner and a Movie

Image
Revenge is a Dish Best Served Cold Final Digital Photograph,  inspired by the movie "Kill Bill" In this still life, I explore the dualities of nourishment and violence, tradition and rebellion, control and chaos. The central plate—an everyday object associated with sustenance—is bound by a metal chain, a gesture that speaks to captivity, denial, or ritual. Surrounding it are tools of precision and power, a chef’s knife and a sword hilt. These objects, each carrying connotations of both craftsmanship and destruction, form a kind of altar, placing the domestic in conversation with danger and discipline. My choice of materials was deliberate: the chain restricts and can harm, but also protects; the floral elements nod to fleeting beauty and loss; the notepad beneath the plate implies that this is a message, not just a meal. Red tones hum beneath the surface suggestive of both passion and peril while shadows keep parts of the image obscured, allowing tension to gather in the qui...
Read more

Experimental Sculpture

Image
 Carol, Bob and Jean Plywood, String, Ink, and Metal. This series came together as a kind of hands-on conversation between myself, the materials, and whatever wanted to emerge in the moment. I didn’t go in with a strict plan. I did want them to be cohesive though. Each sculpture started with something broken or overlooked, and I built from there, layering textures and shapes until the pieces felt like they had taken shape.  There’s a lot here about change how things fall apart, how we patch them back together, and how that process can make something even more meaningful than it was before. I’m interested in the rough edges, the imperfect joins, the way something can look fragile but still hold its ground. At the end of the day, this work is about holding space for transformation and balance.  In Process Images
Read more